Showing posts with label Film Reviews. Show all posts
Showing posts with label Film Reviews. Show all posts

Saturday, February 20, 2010

Academy Awards Contenders: The Hurt Locker and Crazy Heart

A couple of reviews of Oscar contenders doing the rounds at present:

Kathryn Bigelow’s The Hurt Locker is a well crafted film, with a tight, engrossing script by Mark Boal. It is visually appealing if that term can be used to describe Baghdad’s urban battleground. It tells the story of a US army bomb disposal team in Iraq in 2004.
It’s hard not to have problems with subject matter that is not only very confronting but whose multiple layers will appeal to diverse audiences. The horror and inhumanity of war may well be lost on those looking for an action adventure. You have to wonder whether this is an intentional marketing tool. The official website talks about “the military’s unrecognised heroes”.

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Writer/director Scott Cooper’s Crazy Heart is the country music version of The Wrestler. A has-been loner struggles to regain career, love and self-respect. While alcohol runs his life, singing legend Bad Blake’s life consists of a downward spiral of one-night stands of both varieties. Bowling alleys, bars and baby-boomer groupies.

After four previous nominations, Jeff Bridges might pull off the Best Actor Oscar that eluded Mickey Rourke last year. He was robbed, of course. Bridges’ gravely voice and roadmap face are tailor-made for his role. He oozes authenticity from start to finish or perhaps it’s just sweat. If it’s not the Academy Award makeup, then Jeff should take the cure immediately.

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Monday, January 11, 2010

Avatar Stirs Conservative Ire

It seems that Andrew Bolt et al are not the only conservatives to have problems with Avatar's political message:

James Cameron's "Avatar" may have smashed box-office records, but it's receiving less-than-stellar reviews from some conservative writers who have panned the movie's blunt political messaging.
James Cameron's gamble pays off as his "Avatar" passes the billion-dollar mark.
The Politics of 'Avatar:' Conservatives Attack Film's Political Message

Thanks to Current for the link.

My view from Cinema Takes:
Those looking for a message will probably find it, but be warned it’s not much of an allegory. It may have upset some conservative commentators, but not all tree-huggers, gaia greenies or animal libbers will embrace it either. The indigenous people are full-on meat eaters.

Ultimately god/gaia is an anti-colonial, anti-globalisation, save-the-planet, peace warrior. She’s called Eyra on Pandora. The 'mother" doesn’t take sides, she just gets even.
Avatar: One, Two, Three Dimensional

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Friday, January 1, 2010

Bran Nue Dae Hits Cinemas

Advance screenings of Rachel Perkins' glorious Bran Nue Dae start next week with the national release to follow during January.

This is one of the best 2009 Australian productions. This indigenous Shakespearean-style comedy/romance/road movie is all fun. Don't miss it.

Spread the news!

It's also screening at the Sundance Film Festival later this month.

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Monday, December 28, 2009

Truth is Beauty: Bright Star

Another suggestion for holiday cinema. Even if you're not on vacation. Jane Campion's love story of Fanny Brawne and John Keats.

Bright Star: A Joy Forever

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Thursday, August 13, 2009

Melbourne International Film Festival 09 reviews

Melbourne International Film Festival (MIFF) 2009 has now finished. 25 Film Reviews of the sessions we attended are at: Cinema Takes

Top films: Milk Of Sorrows, Bran Nue Dae, Breathless, Defamation, Mother, Endgame, Zift, Snow, Murch - Walter Murch on Editing

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Friday, July 31, 2009

MIFF Flicrit: Empty Nest

Fifty something men have various oral fantasies but lusting after your dentist is a novel way of exploring a mid-life crisis.
Empty Nest: fatuous fantasies
Another Cinema Takes review from the Melbourne International Film Festival 2009.

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MIFF 2009: North Korean Science Sings

It's refreshing to hear songs about Science, even if they do honour the "General" aka Kim Jong-il. The Schoolgirl's Diary is the first North Korean feature film to be distributed internationally.

The state of their film making in 2006 only outshone their Science. Let's hope their nuclear and missile industries are similar fizzers.

For the Flicrit from MIFF 2009, please see:

The Schoolgirl's Diary: Propaganda 101

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Thursday, July 30, 2009

MIFF Flicrits: Kill Daddy Goodnight

Another Cinema Takes review from the Melbourne International Film Festival 2009:

Kill Daddy Goodnight: not just history

Kill Daddy Goodnight (Das Vaterspiel), an Austrian feature, draws in the viewer gradually. Director/screenwriter Michael Glawogger has created a holocaust film with a difference. The Jewish victims are Lithuanian as is their exterminator. The horror is mostly “off-stage” without the detailed re-enactment customary in this genre.

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Wednesday, July 29, 2009

MIFF Flicrits: Home & About Elly

Two more Cinema Takes reviews from the Melbourne International Film Festival 2009:

Home: living besdie the fast laneThere's no place Home until one day the expressway that they’ve been living happily beside for ten years is finally opened. Separated from their access road and pounded by traffic noise, an outwardly well-adjusted family comes apart.

Not really About Elly

About Elly is not just a different and highly relevant perspective on urban, middle class Iranians. It’s about the nature of truth and what it means for our closest relationships.


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Monday, July 27, 2009

MIFF Flicrits: Milk of Sorrows and North

Two Cinema Takes reviews from the Melbourne International Film Festival 2009:

Milk Of Sorrows: walking close to the walls (Peru)

North: Battling the Blues (Norway)

Both excellent foreign language films.

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Friday, July 24, 2009

Wednesday, July 15, 2009

Flick Crit: Noodle

Latest film review at Cinema Takes is Noodle: a bit hard to swallow

It’s a lightweight but enjoyable Israeli comedy/drama. Like classic Shakespearean comedy the relationships are confused, with multiple misunderstandings.

The plot is a bit hard to swallow but it’s worth a look if you need cheering up.
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Thursday, July 9, 2009

Flick Crit: Disgrace - bleak morality tale

Back in town after 8 weeks in Spain and France without a cinema visit. Broke the drought with Disgrace, an Australian film about South Africa.

Both J.M. Coetzee’s novel and its film adaptation leave their audience wanting more answers. It is a confronting and brutal tale of life in modern South Africa. The message is clear. There are no simple solutions.
Full review is at Cinema Takes: Disgrace - bleak morality tale

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Tuesday, May 5, 2009

Flick Crit: Samson and Delilah

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Latest film review at Cinema Takes is Samson and Delilah: the good fight

Samson and Delilah is a film that all Australians should see. It is confronting and disturbing: poverty, unemployment, petrol sniffing, violence, clashes within aboriginal communities and with so-called mainstream society. Nevertheless in keeping with the optimism of its writer/director Warwick Thornton, it offers some hope.

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Sunday, April 26, 2009

Flick Crit: Tulpan

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Latest film review at Cinema Takes is Tulpan: spring in the steppe

Kazakh documentary maker Sergey Dvortsevoy has brought us the acclaimed feature film Tulpan. Its flat, dusty, dry plains are reminiscent of parts of outback Australia but are even more remote.

It's easy to see why Tulpan has been hot at the film festivals. Superlatives are hard to avoid: original, raw, authentic, genuine, funny, joyous, honest.

Dvortsevoy has restored respectability to the term reality. In fact it is hard not to think that this is a documentary at times. These people couldn't really be actors. It’s great to see the potential of the movie medium stretched in such powerful ways.

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Friday, April 24, 2009

Oz Flick Crit: Closed for Winter

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Latest film review at Cinema Takes is Closed for Winter: unlocking summer's secrets

Australian writer/director James Bogle has given us the very introspective Closed for Winter, an adaptation of Georgia Blain’s 1998 novel of the same name. This dark film brought to mind the recent French language I’ve loved you for so long, “This is a sombre, desolate tale. It is as much about her complex relationships as it is the past.”

Both stories explore coming to terms with loss, about achieving the dreaded ubiquitous cliché and about creating a new beginning.

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In theatres now.

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Thursday, April 16, 2009

Flick Crit: Good the movie

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Latest film review at Cinema Takes is Good: just another Third Reich movie

Germany's Third Reich didn’t last its planned thousand years but there seems little doubt that they will be making movies like Good for that long. It’s certainly a winning genre at the Oscars and the box office.

The key word for this Nazi/Holocaust film is derivative.

If you missed The Reader or The Counterfeiter or classics such as Sophie’s Choice or Schindler’s List, then Good will be a fresh and rewarding experience.

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Wednesday, April 15, 2009

Flick Crit: Camino - children suffering for Opus Dei

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Latest film review at Cinema Takes is Camino: children suffering for Opus Dei

Director Javier Fesser’s Spanish film Camino (The Way) evoked anger and pathos in me in equal measures.

The old cliché that we see what we believe seems to apply here.

With its dream world elements this is a fairy tale in many ways. I was sucked into the story despite initial distaste for the subject matter. Its sentimental plot borders on the telenovela with:

* pubescent love
* hospitals with graphic operations
* secrecy and intrigue
* suspense and misunderstandings
* and of course contrived coincidences

There is even confusion over names.

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Monday, April 13, 2009

Flick Crit: Summer Hours

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Latest film review at Cinema Takes is Summer Hours: fading into autumn:


L'heure d'été/Summer Hours is a French language story of family generations. When Hélène Regnier (Edith Scob) dies after her 75 birthday, her two sons Frédéric (Charles Berling) and Jérémie (Jérémie Renier) and daughter Adrienne (Juliette Binoche) have to decide what to do with her home and possessions. Her collection of art and furniture is much sought after, with the Musée d'Orsay as central players. The museum originally commissioned three short films that were never made.

The central theme of “what we leave behind” is familiar one to those of us who are baby boomers. Perhaps this is an advance on the preoccupation of filmmakers with what to do with the old folks. Now it’s how to deal with their passing. Or more cynically, the inheritance.

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